Texte zur Kunst #138 2025 - Exhibition Politics
The direct and indirect influence of politics is making it increasingly clear that exhibitions have an inherent political dimension. This “Exhibition Politics” issue reveals the often conflicting interests that collide in the exhibition space and analyzes how institutions in particular react to an increasingly intense situation with symbolic and real political actions. Its dual focus examines, on the one hand, the visual regimes and mechanisms of inclusion and exclusion that manifest themselves within the exhibition space and, on the other hand, the concrete debates about culture cuts and the question of how aspects of the Israel-Palestine conflict can be addressed in the exhibition space in the wake of October 7th.
Texte zur Kunst #138 2025 - Exhibition Politics
The direct and indirect influence of politics is making it increasingly clear that exhibitions have an inherent political dimension. This “Exhibition Politics” issue reveals the often conflicting interests that collide in the exhibition space and analyzes how institutions in particular react to an increasingly intense situation with symbolic and real political actions. Its dual focus examines, on the one hand, the visual regimes and mechanisms of inclusion and exclusion that manifest themselves within the exhibition space and, on the other hand, the concrete debates about culture cuts and the question of how aspects of the Israel-Palestine conflict can be addressed in the exhibition space in the wake of October 7th.
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Description
The direct and indirect influence of politics is making it increasingly clear that exhibitions have an inherent political dimension. This “Exhibition Politics” issue reveals the often conflicting interests that collide in the exhibition space and analyzes how institutions in particular react to an increasingly intense situation with symbolic and real political actions. Its dual focus examines, on the one hand, the visual regimes and mechanisms of inclusion and exclusion that manifest themselves within the exhibition space and, on the other hand, the concrete debates about culture cuts and the question of how aspects of the Israel-Palestine conflict can be addressed in the exhibition space in the wake of October 7th.
