So Many Real Things - Nathalie du Pasquier
Conceived as a studio notebook, this book brings together a series of compositions by Nathalie Du Pasquier, created directly on the floor of her studio in Milan. Everyday objects, drawings, books, photographs—each composition is made up of carefully chosen elements, like fragments of an intimate language. These visual arrangements, both precise and instinctive, reveal her way of combining forms and colours, of creating dialogues between things, in a balance specific to her pictorial practice. They offer a rare glimpse into her world—an off-screen view of her work. Each image is accompanied by a short text written by the artist. Part visual journal, part object collection, part sensitive narrative, this book offers a new perspective on Nathalie Du Pasquier's work—shaped by the clarity and freedom of her unique vision.
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So Many Real Things - Nathalie du Pasquier
Conceived as a studio notebook, this book brings together a series of compositions by Nathalie Du Pasquier, created directly on the floor of her studio in Milan. Everyday objects, drawings, books, photographs—each composition is made up of carefully chosen elements, like fragments of an intimate language. These visual arrangements, both precise and instinctive, reveal her way of combining forms and colours, of creating dialogues between things, in a balance specific to her pictorial practice. They offer a rare glimpse into her world—an off-screen view of her work. Each image is accompanied by a short text written by the artist. Part visual journal, part object collection, part sensitive narrative, this book offers a new perspective on Nathalie Du Pasquier's work—shaped by the clarity and freedom of her unique vision.
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Description
Conceived as a studio notebook, this book brings together a series of compositions by Nathalie Du Pasquier, created directly on the floor of her studio in Milan. Everyday objects, drawings, books, photographs—each composition is made up of carefully chosen elements, like fragments of an intimate language. These visual arrangements, both precise and instinctive, reveal her way of combining forms and colours, of creating dialogues between things, in a balance specific to her pictorial practice. They offer a rare glimpse into her world—an off-screen view of her work. Each image is accompanied by a short text written by the artist. Part visual journal, part object collection, part sensitive narrative, this book offers a new perspective on Nathalie Du Pasquier's work—shaped by the clarity and freedom of her unique vision.
