Revue Faire #49.b - Lawrence Weiner
Critical publications dedicated to the analysis of Graphic Design are sadly few and far between today, particularly in France, but also in Europe as a whole. Adopting an analytical and critical posture with regard to the forms and activities of Graphic Design, Sacha Léopold and François Havegeer established in 2017 a printed publication that deals with these practices.
This issue:
Lawrence Weiner’s use of graphic design has always been of fascination for graphic designers. ‘What makes Weiner’s work seductive to graphic designers is his resolutely non-apologetic method of displaying words without need for any explanation.’* But in this text a comparative analysis is made of different voices about Weiner’s use of graphics & typography.
Next to a speculative history of Weiner’s formal language, two interviews—with graphic designer Linda Van Deursen and artist Nora Turato—pay attention to Weiner’s enduring legacy.
*— Russel Holmes, “The Work Must Be Read”, Eye Magazine, Autumn, 1998, https://www.eyemagazine.com/feature/article/the-work-must-be-read.
Original: $14.02
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$4.91Revue Faire #49.b - Lawrence Weiner
Critical publications dedicated to the analysis of Graphic Design are sadly few and far between today, particularly in France, but also in Europe as a whole. Adopting an analytical and critical posture with regard to the forms and activities of Graphic Design, Sacha Léopold and François Havegeer established in 2017 a printed publication that deals with these practices.
This issue:
Lawrence Weiner’s use of graphic design has always been of fascination for graphic designers. ‘What makes Weiner’s work seductive to graphic designers is his resolutely non-apologetic method of displaying words without need for any explanation.’* But in this text a comparative analysis is made of different voices about Weiner’s use of graphics & typography.
Next to a speculative history of Weiner’s formal language, two interviews—with graphic designer Linda Van Deursen and artist Nora Turato—pay attention to Weiner’s enduring legacy.
*— Russel Holmes, “The Work Must Be Read”, Eye Magazine, Autumn, 1998, https://www.eyemagazine.com/feature/article/the-work-must-be-read.
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Critical publications dedicated to the analysis of Graphic Design are sadly few and far between today, particularly in France, but also in Europe as a whole. Adopting an analytical and critical posture with regard to the forms and activities of Graphic Design, Sacha Léopold and François Havegeer established in 2017 a printed publication that deals with these practices.
This issue:
Lawrence Weiner’s use of graphic design has always been of fascination for graphic designers. ‘What makes Weiner’s work seductive to graphic designers is his resolutely non-apologetic method of displaying words without need for any explanation.’* But in this text a comparative analysis is made of different voices about Weiner’s use of graphics & typography.
Next to a speculative history of Weiner’s formal language, two interviews—with graphic designer Linda Van Deursen and artist Nora Turato—pay attention to Weiner’s enduring legacy.
*— Russel Holmes, “The Work Must Be Read”, Eye Magazine, Autumn, 1998, https://www.eyemagazine.com/feature/article/the-work-must-be-read.
