Pierre Huyghe at the Serpentine Gallery
This publication is a survey of Pierre Huyghe’s practice from the last ten years: ‘The Host and the Cloud’ (2009-2010) took place in a former museum in Paris; ‘Untilled’ (2012) was developped during documenta (13); more‘After ALife Ahead’ (2017) was conceived in a disused ice rink as part of Skulptur Projekte Münster; ‘UUmwelt’ (2018), which was installed first at the Serpentine Galleries in London, and later at Luma Arles, is the culmination of a ground-breaking approach to exhibitions. A conversation between Hans Ulrich Obrist and an essay by Dorothea von Hantelmann offer a comprehensive discussion of this period. Drawings, diagrams, plans, text and reference images, photographs and film stills add to over 400 pages and make this an important reference book.
Pierre Huyghe at the Serpentine Gallery
This publication is a survey of Pierre Huyghe’s practice from the last ten years: ‘The Host and the Cloud’ (2009-2010) took place in a former museum in Paris; ‘Untilled’ (2012) was developped during documenta (13); more‘After ALife Ahead’ (2017) was conceived in a disused ice rink as part of Skulptur Projekte Münster; ‘UUmwelt’ (2018), which was installed first at the Serpentine Galleries in London, and later at Luma Arles, is the culmination of a ground-breaking approach to exhibitions. A conversation between Hans Ulrich Obrist and an essay by Dorothea von Hantelmann offer a comprehensive discussion of this period. Drawings, diagrams, plans, text and reference images, photographs and film stills add to over 400 pages and make this an important reference book.
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Description
This publication is a survey of Pierre Huyghe’s practice from the last ten years: ‘The Host and the Cloud’ (2009-2010) took place in a former museum in Paris; ‘Untilled’ (2012) was developped during documenta (13); more‘After ALife Ahead’ (2017) was conceived in a disused ice rink as part of Skulptur Projekte Münster; ‘UUmwelt’ (2018), which was installed first at the Serpentine Galleries in London, and later at Luma Arles, is the culmination of a ground-breaking approach to exhibitions. A conversation between Hans Ulrich Obrist and an essay by Dorothea von Hantelmann offer a comprehensive discussion of this period. Drawings, diagrams, plans, text and reference images, photographs and film stills add to over 400 pages and make this an important reference book.
