Malanka - Yelena Yemchuk
Malanka is Ukrainian American visual artist, Yelena Yemchuk’s sixth photobook. Like all bodies of work by Yemchuk, Malanka is personal, feminine, surrealist, and touched by a spell. The eponymous tradition is a pre-christian, heavily incantatory folklore ritual that takes place on January 14, the Old New Year in the Julian calendar. It is celebrated by ethnic Romanians in western Ukraine, and its origins are largerly unknown. Yemchuk traveled to Crasna (Krasnoilsk in Ukrainian) in 2019 and 2020 to document the night-long festival. In essence, Malanka is about driving out winter and stimulating spring into existence, an ancient custom reminiscent of Persephone’s return in Greek mythology. While photographing in Crasna, Yemchuk also made a companion short film, which premiered during her solo exhibition at the Ukrainian Museum in New York, in 2023. The film stars Ukrainian artist Anya Domashyna and the American actor Ebon Moss-Bachrach. Yemchuk, who was born in Kyiv and emigrated to the US when she was eleven years old, always invigorates her works with a particular notion of the in-between: between fiction and reality; between the grand beauty of 1960s cinema and the social and built environments of post-soviet realms; between her Eastern European heritage and her daily life in New York. Through Yemchuk’s gaze, places and spaces organically and dramatically blur, creating dreamscapes in which her subjects experience some form of metamorphosis. Malanka includes a poetic essay by Romanian cultural journalist Ioana Pelehatǎi.
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$25.35Malanka - Yelena Yemchuk
Malanka is Ukrainian American visual artist, Yelena Yemchuk’s sixth photobook. Like all bodies of work by Yemchuk, Malanka is personal, feminine, surrealist, and touched by a spell. The eponymous tradition is a pre-christian, heavily incantatory folklore ritual that takes place on January 14, the Old New Year in the Julian calendar. It is celebrated by ethnic Romanians in western Ukraine, and its origins are largerly unknown. Yemchuk traveled to Crasna (Krasnoilsk in Ukrainian) in 2019 and 2020 to document the night-long festival. In essence, Malanka is about driving out winter and stimulating spring into existence, an ancient custom reminiscent of Persephone’s return in Greek mythology. While photographing in Crasna, Yemchuk also made a companion short film, which premiered during her solo exhibition at the Ukrainian Museum in New York, in 2023. The film stars Ukrainian artist Anya Domashyna and the American actor Ebon Moss-Bachrach. Yemchuk, who was born in Kyiv and emigrated to the US when she was eleven years old, always invigorates her works with a particular notion of the in-between: between fiction and reality; between the grand beauty of 1960s cinema and the social and built environments of post-soviet realms; between her Eastern European heritage and her daily life in New York. Through Yemchuk’s gaze, places and spaces organically and dramatically blur, creating dreamscapes in which her subjects experience some form of metamorphosis. Malanka includes a poetic essay by Romanian cultural journalist Ioana Pelehatǎi.
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Description
Malanka is Ukrainian American visual artist, Yelena Yemchuk’s sixth photobook. Like all bodies of work by Yemchuk, Malanka is personal, feminine, surrealist, and touched by a spell. The eponymous tradition is a pre-christian, heavily incantatory folklore ritual that takes place on January 14, the Old New Year in the Julian calendar. It is celebrated by ethnic Romanians in western Ukraine, and its origins are largerly unknown. Yemchuk traveled to Crasna (Krasnoilsk in Ukrainian) in 2019 and 2020 to document the night-long festival. In essence, Malanka is about driving out winter and stimulating spring into existence, an ancient custom reminiscent of Persephone’s return in Greek mythology. While photographing in Crasna, Yemchuk also made a companion short film, which premiered during her solo exhibition at the Ukrainian Museum in New York, in 2023. The film stars Ukrainian artist Anya Domashyna and the American actor Ebon Moss-Bachrach. Yemchuk, who was born in Kyiv and emigrated to the US when she was eleven years old, always invigorates her works with a particular notion of the in-between: between fiction and reality; between the grand beauty of 1960s cinema and the social and built environments of post-soviet realms; between her Eastern European heritage and her daily life in New York. Through Yemchuk’s gaze, places and spaces organically and dramatically blur, creating dreamscapes in which her subjects experience some form of metamorphosis. Malanka includes a poetic essay by Romanian cultural journalist Ioana Pelehatǎi.
