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el croquis #194 - Brandlhuber+ 1996-2018
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el croquis #194 - Brandlhuber+ 1996-2018

el croquis #194 - Brandlhuber+ 1996-2018

El Croquis issue 194 is in circulation! One of the top architecture magazines, this edition covers selected works by German architect Arno Brandlhuber and his Berlin based office Brandlhuber +. Featuring an essay by Bart Lootsma where he presents the architect’s fundamental operational concepts, and another by Moritz Künz who runs a review about the most interesting publications of Brandlhuber + (in which Brandlhuber is particularly invested). This edition sheds light on the idea of collaboration with other practices, disciplines and individuals, such as artists, writers, filmmakers and musicians reflecting the discursive nature of Brandlhuber’s work, his activism, and how his creative interpretation of the law rendered the pursuit of some far-fetched projects possible.

$72.42
el croquis #194 - Brandlhuber+ 1996-2018
$72.42

el croquis #194 - Brandlhuber+ 1996-2018

El Croquis issue 194 is in circulation! One of the top architecture magazines, this edition covers selected works by German architect Arno Brandlhuber and his Berlin based office Brandlhuber +. Featuring an essay by Bart Lootsma where he presents the architect’s fundamental operational concepts, and another by Moritz Künz who runs a review about the most interesting publications of Brandlhuber + (in which Brandlhuber is particularly invested). This edition sheds light on the idea of collaboration with other practices, disciplines and individuals, such as artists, writers, filmmakers and musicians reflecting the discursive nature of Brandlhuber’s work, his activism, and how his creative interpretation of the law rendered the pursuit of some far-fetched projects possible.

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El Croquis issue 194 is in circulation! One of the top architecture magazines, this edition covers selected works by German architect Arno Brandlhuber and his Berlin based office Brandlhuber +. Featuring an essay by Bart Lootsma where he presents the architect’s fundamental operational concepts, and another by Moritz Künz who runs a review about the most interesting publications of Brandlhuber + (in which Brandlhuber is particularly invested). This edition sheds light on the idea of collaboration with other practices, disciplines and individuals, such as artists, writers, filmmakers and musicians reflecting the discursive nature of Brandlhuber’s work, his activism, and how his creative interpretation of the law rendered the pursuit of some far-fetched projects possible.

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